തിയഡോർ അഡോണോ

Theodor W. Adorno
	Max Horkheimer (front left), Theodor Adorno (front right), and Jürgen Habermas (in the background, right), in 1964 in Heidelberg.
മറ്റു പേരുകൾ	Theodor Ludwig Adorno Wiesengrund
ജനനം	സെപ്റ്റംബർ 11, 1903; Frankfurt am Main, Hesse-Nassau, Prussia, Germany
മരണം	ഓഗസ്റ്റ് 6, 1969 (പ്രായം 65); Visp, Visp, Valais, Switzerland
താമസസ്ഥലം	Germany
ദേശീയത	German
കാലഘട്ടം	20th century philosophy
പ്രദേശം	Western philosophy
ചിന്താധാര	Critical theory; Marxism
പ്രധാന താത്പര്യങ്ങൾ	Social theory, sociology, psychoanalysis, epistemology, aesthetics, musicology, mass media
ശ്രദ്ധേയമായ ആശയങ്ങൾ	Criticism of "actionism," modernist art opposes the conventional ordering of experience found in the mass media, the paradox of aesthetics
	സ്വാധീനിച്ചവർ Immanuel Kant · Georg Hegel · Søren Kierkegaard · Friedrich Nietzsche · Edmund Husserl · Ludwig Wittgenstein · Karl Marx · Sigmund Freud · Georg Lukács · Ernst Bloch · Karl Korsch · Max Weber · Georg Simmel · Émile Durkheim · Max Horkheimer · Hans Cornelius · Walter Benjamin · Arnold Schoenberg · Alban Berg · Charles Baudelaire · Marcel Proust · Franz Kafka · Oswald Spengler · Siegfried Kracauer · Thomas Mann;
	സ്വാധീനിക്കപ്പെട്ടവർ Jürgen Habermas · Peter Dews · Slavoj Žižek · Herbert Marcuse · Umberto Eco · Edward W. Said · John Zerzan · Michael Jackson · Fredric Jameson · Marshall Berman · Max Horkheimer · Günther Anders · Jean-Michel Berthelot · Luigi Nono · Karlheinz Stockhausen · Domenico Losurdo · Helmut Reichelt · Zygmunt Bauman · Werner Krieglstein · Edward Said · Hamid Dabashi · Babette Babich · John Holloway;

ജർമ്മൻ സാമൂഹ്യചിന്തകനും,സംഗീത വിചക്ഷണനുമായിരുന്നു തിയഡോർ അഡോണോ(സെപ്റ്റം: 11, 1903 – ഓഗസ്റ്റ് 6, 1969).സമൂഹശാസ്ത്രവുമായി ബന്ധപ്പെട്ട ക്രിട്ടിക്കൽ തിയറിയുടെ പ്രധാന പ്രണേതാക്കളിൽ ഒരാളുമായിരുന്നു അഡോണോ.സംഗീത സംബന്ധിയായ അനേകം ഗ്രന്ഥങ്ങളും അഡോണോ രചിച്ചിട്ടുണ്ട്.

പ്രധാന കൃതികൾ

Kierkegaard: Construction of the Aesthetic (1933)
Dialectic of Enlightenment (with Max Horkheimer, 1944)
Composing for the Films (1947)
Philosophy of New Music (1949)
The Authoritarian Personality (1950)
Minima Moralia: Reflections from Damaged Life (1951)
In Search of Wagner (1952)
Prisms (1955)
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies (1956)
Dissonanzen. Musik in der verwalteten Welt (1956)
Notes to Literature I (1958)
Sound Figures (1959)
Mahler: A Musical Physiognomy (1960)
Notes to Literature II (1961)
Hegel: Three Studies (1963)
Critical Models: Interventions and Catchwords (1963)
Quasi una Fantasia (1963)
The Jargon of Authenticity (1964)
Night Music: Essays on Music 1928-1962 (1964)
Negative Dialectics (1966)
Alban Berg: Master of the Smallest Link (1968)
Critical Models: Interventions and Catchwords (1969)
Aesthetic Theory (1970)
Beethoven: The Philosophy of Music; Fragments and Texts (1993)
Current of Music (2006)

പുറം കണ്ണികൾ

Adorno, Theodor. Aesthetic Theory. Archived 2011-07-08 at the Wayback Machine. University of Minnesota Press, 1996
Theodor Adorno entry in the Internet Encyclopedia of Philosophy
Theodor W. Adorno entry by Lambert Zuidervaart in the Stanford Encyclopedia of Philosophy
Gravesite
Illuminations – The Critical Theory Project Archived 2008-12-09 at the Wayback Machine.
Odysseus and the Siren Call of Reason: The Frankfurt School Critique of Enlightenment published in Other Voices, n.1 v.1, 1997.
"Adorno during the 1950s" by Juergen Habermas Archived 2016-02-07 at the Wayback Machine.

അവലംബം

↑ Christine Fillion, "Adorno's Marginalien zu Theorie und Praxis: In Praise of Discontinuity", Humanitas, Volume 2, Issue 1, Fall 2012.
↑ Theodor W. Adorno "Commitment", in: Andrew Arato, Eike Gebhardt (eds.), The Essential Frankfurt School Reader, Continuum, 1978, pp. 300–318 (essay translated by Francis McDonagh).
↑ Gary Day, Literary Criticism: A New History, Edinburgh University Press, 2008, p. 265.
↑ "[Art's] paradoxical task is to attest to the lack of concord while at the same time working to abolish discordance" (Adorno as quoted by James Martin Harding, Adorno and "a Writing of the Ruins", SUNY Press, 1997, p. 30; variant translation by Robert Hullot-Kentor: Adorno, Aesthetic Theory, 1997, University of Minnesota Press, p. 168: "Paradoxically, art must testify to the unreconciled and at the same time envision its reconciliation; this is a possibility only for its nondiscursive language.").

[1] Christine Fillion, "Adorno's Marginalien zu Theorie und Praxis: In Praise of Discontinuity", Humanitas, Volume 2, Issue 1, Fall 2012.

[2] Theodor W. Adorno "Commitment", in: Andrew Arato, Eike Gebhardt (eds.), The Essential Frankfurt School Reader, Continuum, 1978, pp. 300–318 (essay translated by Francis McDonagh).

[3] Gary Day, Literary Criticism: A New History, Edinburgh University Press, 2008, p. 265.

[4] "[Art's] paradoxical task is to attest to the lack of concord while at the same time working to abolish discordance" (Adorno as quoted by James Martin Harding, Adorno and "a Writing of the Ruins", SUNY Press, 1997, p. 30; variant translation by Robert Hullot-Kentor: Adorno, Aesthetic Theory, 1997, University of Minnesota Press, p. 168: "Paradoxically, art must testify to the unreconciled and at the same time envision its reconciliation; this is a possibility only for its nondiscursive language.").

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